OS.21 is the twenty-first iteration of the Onsite furniture concept. Designed with Wieden+Kennedy for Honda at the IAA Frankfurt Motor Show 2011, it transformed the stand into a landscape of colored energy flows, combining seating, scenography, and an information desk.
OS.20 is the twentieth iteration of the Onsite furniture concept. Presented at Den Frie in Copenhagen, it occupied the gallery as a modular, flexible organism inviting public use.
OS.19 is the nineteenth iteration of the Onsite furniture concept. Commissioned for Strelka Bar in Moscow, it was produced locally from digital files and standard TPC tubing, showing how the system adapts through distributed fabrication and site-specific integration.
OS.18 is the eighteenth iteration of the Onsite furniture concept. Developed for Design City Luxembourg, it proposed low-cost urban objects in seating and partition functions spread across the city.
OS.17 is the seventeenth iteration of the Onsite furniture concept. Commissioned for Ferrari World Abu Dhabi, it adapts the system’s seating profiles to the park’s architectural identity.
OS.16 is the sixteenth iteration of the Onsite furniture concept. Commissioned for Vodafone’s offices in Maastricht, it merges seating and visual signage, turning the reception into both a functional bench and a symbolic marker.
OS.15 is the fifteenth iteration of the Onsite furniture concept. Presented at Hangar J1 in Marseille for the 2013 European Capital of Culture, it transformed the vast industrial hall into a furniture-landscape for gathering and interaction.
OS.14.02 is the Berlin iteration of the Onsite lounge. Presented at CTM Festival in Club Maria, it combined seating, DJ booth, and luminous tubular forms adapted from the TodaysArt version.
OS.14 is the fourteenth iteration of the Onsite furniture concept. Commissioned for TodaysArt in The Hague, it featured a glass serre lounge with tentacle lighting, seating, and DJ booth, built for reuse.
OS.13 is an unbuilt proposal for an exhibition stand. Extending the Onsite system to scenography, it illustrates the broader potential of the series.
OS.12 turned a DJ booth into a spatial installation at Bed Supperclub, Bangkok, where tubular forms suggested dystopian surveillance as a political metaphor.
OS.11 is the eleventh iteration of the Onsite furniture concept. Commissioned for the Communiquer Group in Lyon, it combines a reception desk and a waiting bench into one hybrid structure, supported by Georges Verny Caron.
OS.10 is the tenth iteration of the Onsite furniture concept. Presented at Into Art and Furniture in Berlin during the Designmai festival, it explored modular metal structures adaptable to different contexts.
OS.09 is the ninth iteration of the Onsite public seating concept. First commissioned for Paris Première Vision and reinstalled at Le Centquatre, Paris.
OS.08 is the eighth iteration of the Onsite furniture concept. Commissioned for Tokyo Eat at Palais de Tokyo in Paris, the bench was produced with Recyclart and later exhibited in Berlin, Milan, and Brussels.
OS.07 is the seventh iteration of the Onsite furniture concept. Presented at the Instant exhibition by Designed in Brussels at Galerie Ravenstein, the installation featured illuminated pipes in a dark space, combining seating, meeting, and ambient light.
OS.05 is the fifth iteration of the Onsite programmatic furniture concept. Designed and produced in the context of the Brazil/Brazil exhibition at La Friche la Belle de Mai in Marseille
OS.04 is the fourth iteration of the Onsite furniture concept. Developed as a private commission, it explores fluid transitions between sitting, resting, and eating.
OS.03 is the third iteration of the Onsite furniture concept. Developed during a residency at Mediaruimte in Brussels with LAb[au], it introduced OSIG, a digital tool for generating tubular profiles in real time.
OS.02 is the second iteration of the Onsite furniture concept. Inspired by Marseille, it was presented at BJECM in Naples and later at Salone Satellite in Milan, with support from Les Mécènes du Sud.
OS.01 is the first iteration of the Onsite furniture concept. Conceived for the “Jonction” competition in Brussels, it proposed an artistic landmark for the 50th anniversary of the North–South railway connection, in connection with Recyclart.